Back to courses

Pigments, Extraction, Application and Territoriality

With Carmen Caro

Pigments, Extraction, Application and Territoriality

This workshop introduces participants to natural dye and textile pigment practices as both technical processes and spaces for collective reflection. Working with plant- and mineral-based pigments, we will explore dye extraction, fiber preparation, mordanting, and color fixation while learning how materials carry ecological, cultural, and political histories. The workshop approaches dyeing as a living practice rooted in territorial knowledge learned in my own region (from the Pacific territories of Chocó to the Andes) and sustained by communities that have preserved and transformed these techniques over generations. All core materials are included, and a portion of the workshop income is directed toward supporting the knowledge holders and women teachers who safeguard and transmit these techniques. Through guided experimentation, participants will create dyed samples and small textile studies while engaging in conversations about care, sustainability, and non-oppressive making. The process emphasizes slow work, attention to material behavior, and ethical relationships with natural resources. Alongside hands-on practice, we will reflect on how dye traditions migrate, adapt, and function as forms of resistance and cultural continuity. Open to artists, designers, and anyone curious about color and material, the workshop offers an accessible entry point into natural pigments while encouraging participants to situate their practice within broader questions of ecology, memory, and collective responsibility.

Dates
Sat 24 Oct, Sun 25 Oct
Time
14:00–17:00
Cost
€65–120 full course (+ €5 membership fee for new members)
Attendance type
  • You can attend the whole course
  • You can drop in to any day
Desired audience
The workshop is open to artists, designers, cultural workers, educators, and anyone interested in natural materials, sustainable textile practices, and collective learning. It is especially suited for participants curious about ecology, territorial knowledge, and non-oppressive creative methodologies. No prior technical background is required — the space is designed for mixed experience levels and values experimentation, dialogue, and shared process over specialization.
What should I bring?
Participants do not need prior experience in dyeing or textile work — the workshop is designed to be accessible to beginners as well as those with an existing practice. Participants should bring: Clothes they don’t mind staining A small textile item or natural fiber fabric to dye (cotton, linen, silk, or wool) A notebook for notes and reflections A reusable container or bag to carry wet materials home Curiosity and willingness to work slowly with organic materials All core tools and pigments will be provided. The workshop emphasizes experimentation, care, and shared learning rather than technical perfection.
Class type
Crafts
Space
Workshop

About the artist

Interdisciplinary Colombian artist and workshop facilitator with international experience in natural dye and textile pigment practices developed across Colombia, Germany, Tunisia, and Sudan, among other contexts. Her work bridges artistic research, territorial knowledge, and non-oppressive methodologies, approaching color as material memory and a tool for collective creation. She has led workshops with diverse communities, combining ancestral techniques, contemporary experimentation, and critical reflection on the political origins of materials. Her teaching promotes ecological care, ethical knowledge transmission, and recognition of the cultural lineages of dyeing, understanding textiles as spaces of resistance, adaptation, and community building.

Instagram: @cillosalvajehttps://carmencaro.com/

Accessibility

One solidarity spot is available for this course at no cost. Please write to 90milartschool@gmail.com to book. 90mil is wheelchair accessible. Please see the yellow section below for more on accessibility.

Sliding scale

We use a sliding scale to make courses as affordable as possible. Here’s how to use it:
 Lower end: You don’t have a stable income. Mid range: You have a less stable financial situation and are more selective about where you spend your money. Higher end: You experience relative financial stability. Solidarity spot: You’re experiencing financial precarity and wouldn’t otherwise be able to afford to come to a workshop.

Got a question? Send it to:

Pigments, Extraction, Application and Territoriality — image 1Pigments, Extraction, Application and Territoriality — image 2